{"id":35,"date":"2014-10-09T15:44:14","date_gmt":"2014-10-09T12:44:14","guid":{"rendered":"https:\/\/tinakarageorgi.com\/?page_id=35"},"modified":"2018-09-03T12:16:46","modified_gmt":"2018-09-03T09:16:46","slug":"bio","status":"publish","type":"page","link":"https:\/\/tinakarageorgi.com\/?page_id=35","title":{"rendered":"Bio"},"content":{"rendered":"[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/4″][image_with_animation image_url=”38″ alignment=”” animation=”Fade In”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/2″][vc_column_text]TINA\u00a0 KARAGEORGI<\/strong><\/p>\n

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She was born in Athens \u2013 Greece in 1959.<\/p>\n

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STUDIES<\/strong><\/p>\n

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1985-86 St, Martin\u2019s School of Art London \u2013 UK.<\/p>\n

1985 Byam Shaw School of Art London \u2013 UK.<\/p>\n

1979- 84 Academy of Fine Arts \u2013 Athens \u2013 Greece.<\/p>\n

1978- 79 Group for the Education and Communication in Art. Athens \u2013 Greece.<\/p>\n

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Personal\u00a0 Shows<\/p>\n

2017 Keas Gallery Kea- Greece<\/p>\n

2016 Museum of Folk Art, Baths- The winds- Athens, installation and paintings<\/p>\n

2015 Alatza Imaret \u2013 Salonica installation and paintings<\/p>\n

2011 Gallery EKFRASI \u2013 Athens, installation and paintings<\/p>\n

2008 Institute of Greek Civilization \u2013 Berlin Germany.Paintings and Instalations<\/p>\n

2007 RED Gallery Athens Greece. Paintings<\/p>\n

2007 Elouda Mare, Elouda \u2013 Creete, Paintings<\/p>\n

2007 Pici Gallery Seoul \u2013Korea, Paintings and Instalations<\/p>\n

2006 IANOS Gallery Athens \u2013 Greece, Paintings<\/p>\n

2006 Tenri Cultural Institute NY.- USA. Paintings and Instalations<\/p>\n

2006 IONOS Gallery Karditsa \u2013 Greece. Paintings<\/p>\n

2006 Nees Morfes Gallery Athens \u2013 Greece Paintings and Instalation<\/p>\n

1995 INFO CAF\u00c9 Gallery Athens \u2013 Greece Jewllery and miniatures<\/p>\n

1993 Nees Morfes Gallery Athens \u2013 Greece Paintings<\/p>\n

1989 Nees Morfes Gallery Athens \u2013 Greece Paintings<\/p>\n

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Group Shows<\/p>\n

2018 Paper Moon Contemporary Art Museum Rethymnon- Crete Greece<\/p>\n

2016 The 80’s generation Gallery Ekfrassi- Athens Greece<\/p>\n

2016 The Healing power- Xenia Epidauros- Greece<\/p>\n

2016 Donopoulos Gallery – Sallonica- Greece<\/p>\n

2014 Art Fair International Zurich\u00a0 Zurich- Switzerland<\/p>\n

2014 KIAF Seoul- Korea<\/p>\n

2013 Covert Narratives- Tenri Cultural Institute- New York currated by Th.Vrachopoulos<\/p>\n

2013 International Triennale of Textile \u2013 Lodzt – Poland<\/p>\n

2012 International Biennale of Santorini- Pyrgos Santorini<\/p>\n

2011 International Paper Biennale \u2013 Sofia Boulgaria currated by Thalia Vrachopoulos<\/p>\n

2010 \u201c Traicing Istanbul\u201d Halki Monastery.currated by Iris Kritikou.<\/p>\n

2010\u00a0 \u201cMelange a trois\u201d Katakouzenow Foundation<\/p>\n

2010 Votanokipos Kefalonia- currated by Bia Papadopoulou<\/p>\n

2009\u00a0 \u201c50 Years After\u201d\u00a0 Benaki Museum Athens \u2013\u00a0 curated by Nees Morfes<\/p>\n

2009 International Women\u2019s Biennale Seoul- Korea\u00a0 opening 2\u00a0 August 2009 curator Thalia Vrachopoulos<\/p>\n

2009 \u2018The Dynamic in Painting\u201d Athens –\u00a0 Theocharakis Institute curator Dora Heliopoulou-Rogan<\/p>\n

2009 \u2018Shades of white\u2019 Santorini \u2013 Belonia Institute\u00a0 curator\u00a0 Iris Kritikou<\/p>\n

2009 Technopolis- Athens \u201cResist\u2019\u2019 UNISEF curator Dora Heliopoulou- Rogan<\/p>\n

2009 Melina Merkouri- Athens\u00a0 \u201c Notes for a tree\u201d curator Iris Kritikou<\/p>\n

2009 Museum of Contemporary Art \u2013 Salonica \u201c Material Links\u201d curators Iris Kritikou, Diane Freudl<\/p>\n

2008 Technopolis- Athens \u201c Material Links\u201d<\/p>\n

2008 MoCA\u00a0 Shanghai \u2013 China \u201c Material Links \u201c curators Iris Critikou, Diane Freudl<\/p>\n

2007 Metamorfoses Gallery Sallonica -Greece \u201c Anthografies \u201c curator Haris Kambourides<\/p>\n

2006 State Museum of Art Sallonica Greece \u201c Crossing the Borders\u201d<\/p>\n

2006 About AIDS Kavala Greece curator M. Athanasiadou<\/p>\n

2006 IANOS Gallery\u00a0 Athens Greece \u201cIn the field\u201d.<\/p>\n

2005 Greek Conference for AIDS Divani Hotel Athens Greece curator M. Athnasiadou<\/p>\n

1998 Gallery Classing Munster \u2013Germany<\/p>\n

1996 Consul Gallery Tinos Greece Tino\u2019s Contemporary Art<\/p>\n

1994 Scarparentola Florence Italy<\/p>\n

1993 Greek Union of Phsycoanalysis and phsycotherapy Athens Greece<\/p>\n

1992 Three Women Painters Aria Gallery Cephalonia Greece curator Makis Kapatos<\/p>\n

1991 Aria Gallery Cephaloinia Greece<\/p>\n

1991 Goethe Institute Athens Greece curator Dora Heliopoulou Rogan<\/p>\n

1990 Dallas- Texas USA\u00a0 \u201c Contemporary Greek Art \u201c curator Dora Heliopoulou Rogan<\/p>\n

1988 St.Mary\u2019s Hospital Opening Show London UK curator Sarah Freeman<\/p>\n

1988 Smith\u2019s Gallery Covent Garden London UK curator Sarah Freeman<\/p>\n

1987 Panhellinia\u00a0 Show of Painting Atehns Greece<\/p>\n

1987 Smith\u2019s Gallery Covent Garden , London UK curator Sarah Freeman<\/p>\n

1986 Fulham Palace London UK Riverside Artsists Group<\/p>\n

1986 7th<\/sup> Floor Gallery London\u00a0 UK<\/p>\n

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Forth coming Shows<\/p>\n

2017 January Gallery7- Athens-group show -Abstraction<\/p>\n

2017 May The Menards- Solo show at the Archaeological Museum of Salonica<\/p>\n

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Tina Karageorgi has also worked as Art Director for the film \u201cBlack Out \u201c, by Menelaos Karamagiols, and nominated for the Award in 1998, at the International Film Festval in Sallonica.<\/p>\n

She also designs and works with old techniques furniture.<\/p>\n

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Publications and essays<\/p>\n

2011 \u201c Translations- Transpositions- Metaphors\u201d by philosopher Alexander Nehamas<\/p>\n

2009 Brooklyn rail \u2013International Site by Robert Morgan<\/p>\n

2007 \u201c Bluebird in the dead of night\u201d by Robert Morgan international artcritic artist<\/p>\n

2007 TA NEA\u00a0 newspaper\u00a0 by Harris Kambourides arhistorian<\/p>\n

2007 \u201c Whispering Pines \u201c by Jonathan Goodman artcritic for www. greekworks.com<\/p>\n

2006 \u201c Whispering Breezes among the Pines \u201c by Thalia Vrachopoulos exhibitions Director of Terni Cultural Istitute<\/p>\n

2006 \u201c The gaze within\u201d by Giuliano Serafini arhistorian artcritic<\/p>\n

2005 \u201c Diving into the transparency of the Landscape\u201d by Harris Kambourides artcritic- semiologist member of The Academia Europaea<\/p>\n

1993 \u201c The quality of the fragmentary writing by Anna Kfetsi director of Athens Museum of Contemporary Art<\/p>\n

1990 The Athens Hilton Magazine<\/p>\n

1989 Kathimerini press by Dora Heliopoulou Rogan<\/p>\n

 <\/p>\n

1993 Greek television Channel 1. Presentation<\/p>\n

2006 The Era of Images, Art Program\u00a0 by Katerina Zacharopoulou Greek Tlevision Channel\u00a0 1<\/p>\n

2008 Shanghai Art News \u2013 Shanghai Television[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/4″][vc_column_text]DIS-LOCATIONS<\/p>\n

With this body of work I am taking a sideways look into the ongoing commercial overtake of culture and into the ironical outcomes of imposing western cultural paradigmsupon other civilizations which are seen as somehow inferior. The irony is alsoaimed at the phobias of certain fanatical strands of contemporary Islamic practice towards – and against – women, art, beauty and the freedom of speech.<\/p>\n

I work in a mixed technique whichhas developed into an integrated approach to both the materials I combine and the semiology of the forms I use. A multi-layered composition of transparences allows me to build considerable visual and semantic depth. Using the subtlety of an Oriental technical and visual \u2018language,\u2019employing among others transparencies and brush marks, I build an imagery where meaning lies within an \u2018aesthetic\u2019 image. I perceive\u2018the aesthetic\u2019in opposition to the imagery of brutality which pervadescontemporary art andcan be correlated with the banishment of \u2018poetry\u2019 by fundamentalist Islam.<\/p>\n

In my latest work I have introduced neon light not merely as signs but as elements that enhance the depth of my painting and punctuate its narrative.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][\/vc_column][\/vc_row][vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text]\n

I am text block. Click edit button to change this text.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/4″][image_with_animation image_url=”38″ alignment=”” animation=”Fade In”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/2″][vc_column_text]TINA\u00a0 KARAGEORGI \u00a0 \u00a0 She was born in Athens \u2013 Greece…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-35","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=\/wp\/v2\/pages\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35"}],"version-history":[{"count":12,"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":574,"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=\/wp\/v2\/pages\/35\/revisions\/574"}],"wp:attachment":[{"href":"https:\/\/tinakarageorgi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}